Overblow Player Episodes

Pat Missin joins me on episode 115. Pat’s knowledge about the harmonica is unsurpassed, with his website at patmissin.com, a definitive source of information for over twenty years. He gives us an insight into some of this knowledge, starting with how free reed instruments were the predecessor of the harmonica and the questionable history of who actually invented the harmonica as we know it today. We also discuss various harmonica recording firsts, such as the first blues harmonica song record...

Konstantin Reinfeld joins me on episode 103. Konstantin is a German who comes from the overblow school of harmonica, studying music at a conservatory and taking lessons from Howard Levy as part of his early development. He released a jazz album at age 18, with two more albums to follow before releasing a classical album played on the diatonic harmonica, for which he won a German Grammy award for classical music. On top of this Konstantin is a music producer, including producing his own recor...

The interview with Jason Ricci continues on episode 94, part 2. Jason shares how he has matured into his music, including on his 2021 album, City Country City, playing jazz, funk and blues with New Orleans musician Joe Krown. Jason goes on to share what he considers to be his best work on harmonica, and the elements that make up a great performance. He’s recorded two albums with JJ Appleton, and Bad Kind is Jason’s current band, having released two albums so far, and a new album coming ...

Jason Ricci joins me on episode 93 (and on episode 94) In part one: Jason tells us how he started out in a punk band, with his bandmates suggesting he take up the harmonica. Of course, he took to it quickly, to become quite possibly the leading diatonic harmonica player of his generation. After initially developing his blues playing via the classic players, Jason moved to Memphis and developed his signature fast licks under the guidance of Pat Ramsey. Then, after getting into jazz and a...

Todd Parrot joins me on episode 80. Todd is a gospel harmonica player who was inspired to play harmonica after first hearing it in church. He went on to join the church band and has gone on to develop a heavenly tone on the instrument. Todd listened to a lot of country harmonica and was influenced from several players from that genre, including Terry McMillan. Todd released a self-produced solo album, Songs From The Harp, where he learned to play several instruments to accompany his har...

Jason Rosenblatt joins me on episode 47. A native of Canada but now resident in Israel, Jason is best known for his band Shtreiml, playing a mixture of Klezmer (Jewish) and Eastern European music with great use of the harmonica. His first instrument was piano before he went on to pick up the harmonica after hearing Sonny Terry and Paul Butterfield. He then took advantage of the vibrant Montreal blues scene to witness harmonica live. After hearing Howard Levy’s seminal ‘New Directions in...

Filip can be described as the complete harmonica player, being adept on the diatonic, chromatic and bass harmonicas, as well as being able to play numerous other instruments. He started out on diatonic, with a love of the blues before submerging himself into the overblow style of play pioneered by Howard Levy. Filip is the first harmonica player in the 300 year history of Sweden’s Royal Academy of Music to be accepted to study there. It is here he explored the range of possibilities of the chrom...

Howard Levy is known to be the pioneer of overblows on the diatonic harmonica, but his music shouldn’t be defined merely by the use of this technical tool. Starting out as a piano player, he first started using overblows to enable him to play the music that he wanted to play. And they have allowed Howard to take the instrument to soaring new heights across a diverse range of genres. And make no mistake, he has rhythm, feel, a great bluesy tone when he needs it, and most of all, blistering chops....

Always looking to push himself in new directions, Carlos has released an eclectic mixture of genres across the range of his albums. But each song is underpinned with his great sounding fusion of blues / jazz harmonica, with a great tone. Carlos is also known for his overblowing technique, and he shares how to use this to compliment his sound. Carlos is also a passionate teacher of the harmonica, and is running some Webinars on how to transcribe music to aid learning. Select the Chapter Marker...

PT Gazell developed his melodic style of harmonica through playing a range of genres, from Bluegrass, to Pop, Country and Jazz. After his iconic first album, Pace Yourself, he became a session musician and toured with Country bands before taking a prolonged break from playing due to his frustrations at the limitations of the diatonic harmonica. This led him to develop his Gazell Method half-valved diatonic, in partnership with the German manufacturer Seydel. Select the Chapter Markers tab abo...